ABOUT KREU
KREU was created by Paul Kreuter, a Chicago-based Director of Photography with a background that spans motion design, editorial, and photography. His journey into the world of visual storytelling began through the advertising industry at Leo Burnett, where he started his career as a Motion Designer.
As his career evolved, Paul transitioned into a Senior Editor, where he learned the importance of composition, pacing, and emotion—skills that would later become foundational to his approach behind the camera. That insight naturally led him toward the world of production—where he found a new creative passion behind the lens.
Paul brings a multidimensional perspective to every project he takes on. Whether shooting commercials, branded content, documentaries, or corporate videos, he approaches each production with a balance of creative vision and technical precision. His background in post-production and design allows him to anticipate how a shot will live in the final edit, crafting images that are not only beautiful but purposeful.
KREU was built to collaborate and create — a production company of one with the ability to scale to the size and needs of the project. KREU working seamlessly with directors, producers, and all creative teams to bring concepts to life.
Snickers – NFL – Stefon Diggs
Agency: Weber Shandwick || Production: Tandem || Director: Tyler Jay || DP: Paul Kreuter || Post: The Colonie || Editor: Joe Clear
Snickers – NFL – Stefon Diggs
CinematographyJourneyman – Adventure Of Spirit
Journeyman – Adventure Of Spirit
Cinematography, EditorialSnickers – Rookie Mistake – Davante Adams
Agency: Weber Shandwick || Production: Tandem || Director: Tyler Jay || DP: Paul Kreuter || Editor: Paul Kreuter
Snickers – Rookie Mistake – Davante Adams
Cinematography, Editorial@Properties – Evening Ninja
Agency: Weber Shandwick || Production: Tandem || Director: Tyler Jay || DP: Bjorn Amundsen || Editor: Paul Kreuter
@Properties – Evening Ninja
EditorialSnickers – Rookie Mistake – Stefon Diggs
Agency: Weber Shandwick || Production: Tandem || Director: Tyler Jay || DP: Paul Kreuter || Editor: Paul Kreuter
Snickers – Rookie Mistake – Stefon Diggs
Cinematography, EditorialSlim Jim – One Handed Wonders
Agency: Trisect || Director: Paul Kreuter || DP: Jason Chiu || Editor: Paul Kreuter
Slim Jim – One Handed Wonders
Cinematography, Director, EditorialPF Changs – Stir It Up
PF Changs – Stir It Up
EditorialAdidas – James Harden
Adidas – James Harden
EditorialHasbro – Transformers 35th
Hasbro – Transformers 35th
Cinematography, Director, EditorialJose Cuervo – Pro Beach Volleyball – Kat
Jose Cuervo – Pro Beach Volleyball – Kat
EditorialMay Mobility – Beyond The Grid
Agency: D/CAL || Editor: Paul Kreuter
May Mobility – Beyond The Grid
EditorialLCIF – Kentucky Relief
Agency: D/CAL || Editor: Paul Kreuter
LCIF – Kentucky Relief
EditorialOrville – Farm To Family
Orville – Farm To Family
EditorialGoGo squeeZ – Sweetheart Smoothie
GoGo squeeZ – Sweetheart Smoothie
Cinematography, Director, EditorialDefy Bags – Old Materials, New Ideas
Defy Bags – Old Materials, New Ideas
Cinematography, EditorialGoo Gone – Speed Of Life
Goo Gone – Speed Of Life
Cinematography, Director, EditorialBertolli – A Meal To Remember
Bertolli – A Meal To Remember
EditorialNorthwestern Mutual – Inspiring Potential
Northwestern Mutual – Inspiring Potential
Cinematography, EditorialSlim Jim – Settle The Beef – Pet Dino vs Alien
Agency: Trisect || Director: Paul Kreuter || DP: Jason Chiu || Editor: Laura Madalinski
Slim Jim – Settle The Beef – Pet Dino vs Alien
DirectorTwo Brothers – The Story
Two Brothers – The Story
Cinematography, EditorialMike’s Hard Lemonade – Watermelon
Mike’s Hard Lemonade – Watermelon
EditorialJustin
Justin
Whisk
Whisk
Bears Fan
Bears Fan
Sweetheart Smoothie
Sweetheart Smoothie
Chicago
Chicago
Grandma’s Birthday
Grandma’s Birthday
Frontera Basket
Frontera Basket
Pin Hat
Pin Hat
Son Of A Butcher
Son Of A Butcher
Ari
Ari
Old Tree
Old Tree
Smoke
Smoke
Playa Del Meg
Playa Del Meg
Pearl Harbor
Pearl Harbor
OMRON Complete
OMRON Complete
Ice Cream Man
Ice Cream Man
"What they finally remember is not the editing, not the camerwork, not the performances, not even the story—it’s how they felt."









